Montage, An Original Film Style - 1943 Words

Montage, a name synonymous with Editing, is an original film style with different techniques used by the Soviet filmmakers between 1924 and 1930 to construct a film narrative. Montage is the connection between one shot and the other, a continuous or discontinuous relationship between shots. According to David Bordwell and Kristin Thompson (2012: 478), Soviet directors maintained that, â€Å"through editing, two shots give birth to a feeling or idea not present in either one†. This ‘feeling’ or ‘idea’ then guides a viewer into understanding or making a â€Å"conceptual connection† of the narrative (Bordwell 1972: 10). Strike (1925) and Mother (1926), directed by Sergei Eisenstein and Vsevolod Pudovkin respectively, are films made in the Soviet Montage era that show a juxtaposition between shots across the film. This essay discusses the different techniques used in these films that show the functions and effects of Montage. The main functions of Montage are â€Å"to control rhythm, to create metaphors and to make rhetorical points† (Bordwell 1972: 9). Rhythm is the series of movement perceived from the consistent juxtaposition of shots. Continuity editing usually forms the rhythm of a narrative. Continuity editing as the name implies is â€Å"a system of cutting to maintain continuous and clear narrative action† (Bordwell and Thompson 2012: 500). Sergei Eisenstein (1949: 47) claims that, â€Å"the quality of interval determines the pressure of the tension and the phases of its tension is the rhythm†.Show MoreRelatedHow Did The Odessa Steps Sequence Influence The Theory Of Montage1144 Words   |  5 Pagestheory of montage in film? The Battleship Potemkin, is a soviet film directed by Sergei Eisenstein in 1925. Sergei Eisenstein was a brief student at The Kuleshov Workshop, which was a class run by Soviet filmmaker, Lev Kuleshov at the Moscow Film School. 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